There are ripe saskatoonberries out front of where I'm staying - you can see what a bright day it is today from the photo!
Closeup of the berries:
I feel so blessed by the gift of not pushing myself. Yes, I'm tired, very tired, but I think anyone would be after two weeks of intense workshop. Instead of chastising myself for all that I haven't done, that I could have done whilst up here, for being a jury-rigged person and a flake, I am grateful for the wonderful opportunity to have done as much as I did.
I think I've mentioned before how the turtle came to me as a totem earlier this year - no more the hare, slow, steady, protected. This sculpture on campus was a good reminder.
Spending two weeks with such inspiring people, doing something that feels so meaningful in every pore, is helping to instill the standing permission to accept that this is what I need to be doing, that this is a valid way to contribute to the world and to society. I'm letting go of the anxiety of preparing for the apocalypse.
This isn't a great shot of the class, but it has almost everyone. Funnily enough, that's my folder, travel mug, notebook and pens right in the foreground (no, not the soda)!
Another part of this generous feeling is the desire to support others on the path. Buying the books of the course professors felt like a wonderful gift to myself - and having them personally signed was an extra thrill! Then today, I visited the local independent bookstore - Gulliver's. Festival participants were all given a voucher for 10% off there, and I got a couple of books that will be treasured too.
Pictured are 'The Man Back There
' by David Crouse, 'Gorrill's Orchard
' by Jeanne Clark, 'Just Breathe Normally
,' 'Gnawed Bones
,' 'Underground Rivers
' and 'Greatest Hits' by Peggy Shumaker, - our three awesome professors - and 'Full Woman, Fleshly Apple, Hot Moon
' by Pablo Neruda, translated by Stephen Mitchell, and 'The Wild Iris
' by Louise Gluck (sorry can't find umlaut for the 'u'). When I got home, I gave myself the treat of reading one poem from each, aloud (David's stories, I've been devouring silently). The Neruda/Mitchell has the original Spanish facing the English, a format I love, and it was fun to wrap my tongue around the Spanish too. My Spanish isn't great, but getting to read the original definitely enhanced my sense of the poem.
I'd been thinking of Phil, and how my book-collecting tendencies don't necessarily suit him and how I hadn't been able to find a treasure to bring home for him. But on the way home I found two that he will love - beautifully preserved on the dry heat of the road pavement. I carried them home in my bosom - the only way I could think of to transport them intact by bike!
Little cases of beauty.
Aside from the 'stuff' and inspiration, I'm taking home months' worth of work, a refreshed palette of ways to look at the world, many new connections and the beginnings of some self-belief, of feeling 'on track.'